We bought a table and two chairs a few months ago. They’re counter-height and sit in a bay window where we can catch the southern sun on a bright winter day. The spot is also great for coffee and a book, lunch or an evening beer. The warm wood tones add luster to the room.
It’s solid furniture, made from real cherry—not fiber board and veneer. One look and you know it was made by someone who loves wood.
It was made in that old furniture capital of America: Michigan. The pieces are not antiques that were made in long-ago Grand Rapids. They were made a few months ago in the heart of Michigan’s Thumb.
The L. J. Gascho Furniture Company has been making furniture since 1986, after a young Lyle Gascho returned to the family farm near Pigeon and remodeled the shed and chicken house into a wood shop. He learned woodworking in a small furniture shop in northern Indiana, where he apprenticed with Amish and Mennonite craftsmen. His company is now made up of 22 small Amish and Mennonite wood shops located in Pennsylvania, Ohio, Indiana and Michigan. All of these pieces are now delivered to the company complex on the Gascho farm for finishing. The furniture is sold in stores in the Midwest and a few Eastern states (ljgaschofurniture.com).
This furniture caught my eye when we were in an Art Van Furniture store. I was captivated by its simplicity, grace and quality. When I found out where it was made, I was sold. We’re trying to buy American-made products, and though it seems to be getting a little easier, it still takes effort to find them.
As our state comes back from the economic edge, we seem to be chasing the newest thing to create jobs for the future. Technology is cool, and it’s helped our auto industry return to competitiveness with the rest of world, but it’s not a panacea, and not for everyone. Some of the start-up businesses regularly featured in this magazine’s “Made in Michigan” series depend on technology, but most still rely on good, old-fashioned creativity and handcrafting. We ought to be fostering that kind of business development, too. Jobs that are attracted by incentives can leave the same way. Growing our own, like Gascho’s, sometimes called “economic gardening,” makes sense. While we’re at it, we should be giving our kids the chance-in a school curriculum—to explore manual skills that also lead to meaningful work.
Before Michigan became known for cars, it was the furniture state. Once upon a time, Grand Rapids was the Silicon Valley of the craft era, a “Sawdust Valley” of sorts. After the Civil War, furniture-making became a booming business that continued to be a big part of our economy for the next century. Michigan-made furniture was sold and treasured all over the world. Furniture designers and manufacturers made Grand Rapids their headquarters, with associations of all kinds started to protect and grow the industry. A good bit of it remains, but now it centers on office furniture, since manufacturing in southeastern states, and then foreign imports, have chipped away at the home furnishings business.
Like many retired men, my dad dabbled in wood after he retired. He set up a woodworking shop next to the garage and turned out a series of shelves, quilt racks, picture frames and tables. We’re happy to have a few of those pieces scattered around our house.
My own woodworking skills are still undeveloped and likely to remain so. Maybe that’s why I’m drawn to heirloom furniture.
Still, I have one connection to our state’s wooden past. For a blessedly brief time in the summer before my junior year of high school, a friend’s father hired me and two friends to peel pulp. Eino laughed as we swatted mosquitos and no-see-ums that buzzed us incessantly, drawn by our sweat. Eino, a big, hearty Finn, was immune to the bugs. He dropped the poplar (“popple” in Yooper talk) trees with a chainsaw, cut them into 10-foot lengths, and taught us how to use a bark spud to skin the sinewy bark from the slippery white wood, destined for local paper mills.
It was hot, dirty work. We got so thirsty and hungry that we finished our water and food long before we should have. We were paid 10 cents a length, or “stick.” Insect repellents being useless, our bodies were masses of bug bites. We lasted about two weeks, but the memory lasted a lifetime. I still itch and scratch when I see poplar trees, and I hear Eino laughing.
Mike Buda is editor emeritus of Country Lines. Email Mike at mike.f.buda@gmail.com.
The title, “For the Love of Wood”, caught my attention, and I had to read it. I am also a wood-lover. Over the past ten years, I have restored the interior woodwork of my turn of the century Folk Victorian Farm House. To my surprise and excitement, I discovered that I probably have the largest (in-house) example of American Chestnut in the state. Everything that I thought was oak (even though it didn’t quite fit into the grain I had seen when refinishing furniture for over thirty years) was actually Chestnut. Everything matches, upstairs and down, except for the parlor- which is birdseye maple woodwork and an exotic grain of Chestnut on the floor.
It took me many hours of research on the Internet to figure out what I had. I couldn’t find anyone who could identify the wood- including the American Chestnut Foundaton. Any one who would have known what I had, was long gone. I’m happy to see the great interest in growing new disease resistant Chestnut trees, but regret that there is probably a treasure trove of beautiful clear Chestnut that is buried under nearly a century of paint.
The blight that caused the death of an historic and valuable tree, most likely, created a glutt on the wood market between 1905 and 1910. I’m sure that the large grove of these trees was harvested from the back of the property and milled into flooring and woodwork for this house- which was finished in 1910. My neighbors had a floor refinished a few years ago. The men who sanded and finished the floor had no idea what kind of wood it was. They thought it might be some kind of Pine. They were disappointed, until I looked at it, and verified that was American Chestnut. A built in cabinet is also the same wood. My Silent Butler, built in bookcase, and wainscoting are all Chestnut- even though the wood greatly resembles Oak.
I read once, that anyone who owns anything made of Chestnut- owns a piece of history. I also read that the American Chestnut was not native to Michigan. I’m sure that the the people who came from Pennsylvania or farther east , brought trees with them and planted them here- along with their fruit trees.
I was lucky that the woodwork in this house was never painted. In fact, none of the woodwork upstairs was ever finsihed. I was working with hundred- year old virgin wood.
The windows are single pane wavy glass. Not one door or piece of trim is missing. It doesn’t know what insullation is. The cistern is still in good condition, but covered up. The outside of the house matches a picture you would see on a Halloween card- and I like it that way- although my insurance company didn’t, and cancelled my policy. I argued that it was cedar, but nothing mattered. I was told that nsurance companies just plain don’t want ot insure old houses. It scares me to have something this valuable to the history of our area, and not have it insured. Finances prevent me from painting it- as they required.
I would love to see people interested in finding out if they have Chestnut in their house. Over the years, with so much remodeling having been done, much of it was torn out or painted over. I also know that there is a lot of it that still exists and can be saved.
I enjoyed your article very much.
Colleen